THE DEVIL WEARS A PINK SUIT: A RESPONSE TO “RADICAL GRAFFITI CHIC”

Saber, "Sacred Trash" at MOCA's "Art in the Streets" exhibitionSaber, “Sacred Trash” at MOCA’s “Art in the Streets” exhibition

After looking at the longest list of credentials of one person I’ve ever seen—Yale, University Of Cambridge, Stanford Law, Fellow at the Manhattan Institute, contributing editor of City Journal, recipient of 2005 Bradley Prize for Outstanding Intellectual Achievement, etc, etc—I came to the conclusion that approaching Heather Mac Donald’s fortified intellect would be the equivalent of challenging the IBM Chess Terminator: cold, calculating, and absent a pulse. I find it hard to believe that someone of such high stature would spend so much energy on something that seems trivial in comparison to her passion for deportation and torture. Yet she seems really upset at the idea of a museum honoring over forty years of development in Graffiti Art.

In her lengthy article “Radical Graffiti Chic,” she refers to artists as “vandal-anarchist wannabes” and attempts to highlight their hypocrisy. She names me personally in the article, stating that I am quick to sell out to any corporate sponsor: “Saber, who declares in an interview with the graffiti journal Arrested Motion that ‘there is no room for empathy when there is a motive for profit,’ has sold his designs to Levi’s, Hyundai, and Harley-Davidson.”

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